Each of the three has his own distinctive style, but readily adapts to the playing of the other two—true to that desire not to make rules. So, when Marsh's bass gets into a groove and lays down a repeated bass line well into the lengthy 'Sawtooth' (each track is titled after a type of eel, in keeping with the group's name), May and then Watson fall in with it as naturally as breathing. And when Marsh ceases to play the line, they revert to equal three-way playing as before. Simple: no rules, no dogma... - John Eyles, All about Jazz